ŞEHİR e-arşiv

A simmelian analysis of social forms and individuality in Lütfi Ö. Akad’s films:Gelin/The Bird (1973), Düğün/The Wedding (1974), Diyet/Blood Money (1975)

Files in this item

This item appears in the following Collection(s)

Search ŞEHİR e-arşiv


Advanced Search

Browse

My Account

Statistics